You're presently reading about what may be the best album of 2007, hands down, by the most under-accorded American musical genius. Real murmurs, believable ones, came with Josh Ritter's 2006 album, Animal Year, suggesting that the Idahoan is today's Bruce Springsteen, today's Bob Dylan. He's never sounded more the part than on Historical Conquests, the follow-up to Animal. Ritter's tripping over his syllables and allusions on the opener, "To the Dogs or Whoever," dropping biblical and historical images like a fresh-faced Dylan. Except here, Ritter throws in an organ-fueled, ride-cymbal-crashing, drum-hefty clatter. It's majestic, and it's only the first three minutes. Recorded between stints on a never-ending tour, Historical reflects Ritter on the road, quick witted, a master of phraseology and of imagery. Horns show up as color, giving Ritter a soulful vibe on "Right Moves," a raucous funkiness on "Rumors," and a doleful cloudiness on "The Temptation of Adam." More than anything, Ritter here lays claim to absolute singularity—yes, colored by Dylan and Bruce but simultaneously enlivened by something magical and simple and gorgeous. —Andrew Bartlett

The Canadian-based duo has emerged with a pop statement that's easily one of the best albums of the year. It's a work that exhibits a confident mix of focus, clarity, and ambition. From the upbeat single, "In The Morning" to the somber triptych that closes the record, which touches such kindred spirits as Sylvian, Ferry, and Sinatra, Junior Boys manage to tease soul and longing out of their machines in a way that few have dared to try.

It's perhaps inevitable that Keane's debut album, Hopes and Fears, will draw numerous comparisons to Coldplay. Like them, Keane were discovered by indie label Fierce Panda, who released a single ("Everybody's Changing"). And, like Coldplay, Keane also do a fine trade in catchy and heartfelt indie-pop, all bruised verses and soaring choruses. But though their sound is sure to please fans of Coldplay and Travis, the reality is that Keane manage to sound that little bit more delicate. This could be due to the band's relatively unusual makeup: rather than guitars, the trio uses a piano.

At its best, Hopes and Fears is reminiscent of Bends-era Radiohead, and singer Tom Chaplin's voice is closer to Thom Yorke's falsetto than Chris Martin's cracked whine. On tracks such as the hit single, "Somewhere Only We Know" they manage to squeeze an epic-sounding poignancy from their stripped-down sound (a lot of this is due to the album's superb production). Across 10 tracks, all this slow-burning melancholy skates a bit close to self-indulgence, and you can't help but wish they'd rock out a bit. But Hopes and Fears is still a remarkable and surprisingly mature debut album from a young band with a bright future. —Robert Burrow

Sawdust includes "All The Pretty Faces" (which was the b-side of "When You Were Young"); two movie soundtrack tunes, "Shadowplay" (a Joy Division cover from Control, Anton Corbijn's biopic of Ian Curtis) and "Move Away" (from Spiderman 3); as well as a cover of Kenny Rogers & The First Edition's "Ruby, Don't Take Your Love To Town" (written by Mel Tillis)

The collection will also contain songs which weren't completed for Hot Fuss and Sam's Town. The Killers recently went back into the studio to finish the tracks, including "Tranquilize" featuring Rock & Roll Hall of Famer Lou Reed.

Four years after the release of their landmark debut in 2004, MTV VMA Award-winning, Grammy-nominated, multi-platinum Island Records group The Killers have completed their fourth album - and first new studio album in two years - DAY & AGE, featuring the new single, "Human" debuting worldwide September 22nd, while the digital single will be released September 30th. The new album hits stores November 25th - two days before Thanksgiving.

DAY & AGE was produced by Stuart Price, a key figure in electronic music (Les Rhythmes Digitales) who previously worked with The Killers on "Don't Shoot Me Santa," their 2007 Christmas single; as well as music on their 2007 compilation, Sawdust. Over the past five years, Price has worked as a producer, mixer, programmer, and keyboardist, including The Killers' "Mr Brightside" remix which was Grammy Nominated.

The Killers - Brandon Flowers on vocals and keyboards, guitarist David Keuning, bassist Mark Stoermer, and drummer Ronnie Vannucci - found time to complete their new album while also wrapping up their biggest summer rock festival season in the U.S. and abroad. Historic headlining gigs at England's prestigious Leeds and Reading fests coincided with an appearance on the cover of NME's August 8th issue. Earlier in 2008, the Killers took home top honors for Best Band of the Year and Best Track of the Year ("Tranquilize") at the annual NME Awards USA gala, at the El Rey Theatre in Los Angeles on April 23rd.

DAY & AGE comes one year after the release of Sawdust (November 2007), a 17-song collection of previously unreleased session tracks, B-sides, rarities and one-offs. The album was assembled at a recording studio in New York's Hell's Kitchen, where the Killers worked with Rock And Roll Hall Of Famer Lou Reed two recordings. Two singles and videos were issued: "Shadowplay" (from the motion picture soundtrack of Control, Anton Corbijn's biopic of Ian Curtis), and "Tranquilize".

The Killers' RIAA platinum second album Sam's Town (October 2006) debuted at #2 and spun off two hit singles: the #1 Modern Rock "When You Were Young," nominated for Grammy Awards for Best Rock Song and Best Short Form Music Video; and "Read My Mind," the band's first #1 at Triple-A. Their worldwide 5 million-selling debut Hot Fuss (June 2004) was the longest-running rock album inside the top 50 on the Billboard 200 albums chart for all of 2005, logging 94 weeks on the chart - 53 of those inside the Top 50. The album spun off four solid hit singles - the Grammy-nominated anthem, "Somebody Told Me," the VMA-winning (and Grammy-nominated) "Mr. Brightside," the Modern rock hit "Smile Like You Mean It," and the Grammy-nominated "All These Things That I've Done."

MGMT invites you to open your mind to the multi-dimensional vibrating Technicolor sounds of Oracular Spectacular.

Comes with a single-use code for downloading MP3s of the entire album. Features guest appearances by Ben Gibbard (Death Cab For Cutie), Sean Nelson (Harvey Danger), Ed Harcourt (English singer/pianist), Phil Wandscher (Jesse Sykes & The Sweet Hereafter guitarist), and John Roderick (The Long Winters).

Eight releases, 14 No. 1 radio hits, top reputation as a live act—not bad work if you can get it. That's what the Newsboys have accomplished in 14 years, and the scope and breadth of their success is documented well on this 17-track hits collection. In songs like "Shine," "Take Me to Your Leader," "Spirit Thing," and "Step Up to the Microphone," the Newsboys magically melded a modern pop beat with a strong, spirit-filled message. The end results were endearing radio hits that sounded fresh, vibrant, and nonapologetic for their religious zeal. And that explains why these lads from Australia garner such a buzz in the Christian pop world. The Newsboys never met a pop hook they didn't like, a fact all too apparent when listening to this collection. But they do it so well. Longtime Newsboys fans will appreciate the remake of "God Is Not a Secret," featuring a blistering rap from DC Talk's Toby McKeehan. Three new tracks——"Joy,—"Joy," "Praises," and "Who?"—give listeners a hint of what's to come. —Michael Lyttle

The third single from "Skeletal Lamping" has been a highlight of the band's live show. Side-B is a remix by Depressed Buttons (Todd and Jacob of The Faint). Initial pressing limited to 2,000 copies on colored vinyl. Includes digital download code with songs and bonus video.