Oh My My is a danceable single from Ringo Starr's Ringo album, and features backing vocals from Merry Clayton and Martha Reeves. It hit number five on the U.S. Billboard charts, making it one of the most successful songs of Starr's career. The song was co-written by Starr (credited by his real name, "Richard Starkey"), and Vini Poncia, a frequent Ringo co-writer, who would later go on to produce the rock band, Kiss.

After a five-year absence, Apples in Stereo have returned with a sprawling and lush masterpiece. Their founding principle of the DIY approach to recording has remained in place, but the nearly 15 years of technological progress has made such ways of working yield significantly more robust sounds. Robert Schneider's songs have always harked back to the pop artistry of Brian Wilson and Jeff Lynne, as well as such near contemporaries as Pavement. New Magnetic Wonder offers a more lush sweep of sound. It's varied, dazzling, and full of surprises. There's the keyboard-based pop of "Same Old Drag," the hypnotic muscle of "Sunndal Song" (sung by drummer Hilarie Sidney, who's recently departed to work with her own band), and the sprawling, four-part "Beautiful Machine." Depending on who's listening and what song they're hearing, there are many different ways to describe this band. Ultimately, they gently demand that you take them on their own terms, rewarding handsomely all those who make the glorious plunge. —David Greenberger

Montreal's Arcade Fire brings a theatricality, an intensity, an insanity, and a penchant for amazing hooks to their debut full-length. You've never heard such energy, beauty, and emotion from such a young band. Fans of Neutral Milk Hotel, Broken Social Scene, and Roxy Music's first two albums will have a new favorite band.

This re-release was praised by the likes of Rolling Stone, Spin, URB, Blender, and more as "...utterly beyond anything heard to date." Playful, twisted, psychedelic, sampledelic, delirious, and infectious, it's the sound of six men who spent most of adolescence rummaging through bargain bins in Melbourne's record shops, constructing their own post-modern disco-pop amalgam from rubbish 50's rejects and saccharine 60's pap. Also available domestically for the first time on 180 gram double vinyl.

180 Gram/Audiophile pressing
Original printed sleeve

Brian Wilson's brilliance manifested itself in the euphoric, cheerfully square, sun-and-fun stuff heard here early on, before it got darker and more complicated. Endless Summer runs from the beginning of the Boys' pinstriped career to 1965, right before the melancholy of Pet Sounds, but also includes the inescapable "Good Vibrations." You can hear a few hints of adolescent sadness and fear——"Help Me, Rhonda" is essentially a kids' sing-along about a wrenching emotional rebound, and the shadow of death is hiding somewhere in "Don't Worry, Baby"—but Wilson is mostly concerned with the cars, waves, and girls that made up the Boys' public image, and his ingenious arrangements (coupled with the group's inimitable harmonies) make everything go down as smoothly as lemonade. —Douglas Wolk

Justin Vernon began recording as Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings and, to a certain extent, Bonnie "Prince" Billy. Pronounced 'bohn eevair', it is French for "good winter" which is spelled wrong deliberately. This debut CD is centered around Justin Vernon, who is the primary force behind Bon Iver, as he moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter, alone for three months. From this solitary time emerged a bold, uninhibited new musical focus of all his personal trouble, lack of perspective, heartache, longing, love, loss, and guilt that had been stockpiled over the past six years into songs. The NY Times called this record "irresistible", and it was given a "Recommended" rating by Pitchfork. 9 tracks. Jagjaguwar Records. 2008.

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Vinyl pressing of In Ghost Colours by Cut Copy, a band from Melbourne, Australia. Their sound, often labeled as Indie Dance and/or Electropop, draws considerable influence from 80's New Wave and Post Punk genres. Cut Copy is managed by Punkdafunk, and they are signed to the record label Modular Recordings, home of Wolfmother, The Presets and New Young Pony Club.