Ringo Starr: Step Lightly/ Oh My My
Oh My My is a danceable single from Ringo Starr's Ringo album, and features backing vocals from Merry Clayton and Martha Reeves. It hit number five on the U.S. Billboard charts, making it one of the most successful songs of Starr's career. The song was co-written by Starr (credited by his real name, "Richard Starkey"), and Vini Poncia, a frequent Ringo co-writer, who would later go on to produce the rock band, Kiss.
Como Te Llama [Vinyl]
Albert Hammond Jr.
New Magnetic Wonder [Vinyl]
The Apples in Stereo
After a five-year absence, Apples in Stereo have returned with a sprawling and lush masterpiece. Their founding principle of the DIY approach to recording has remained in place, but the nearly 15 years of technological progress has made such ways of working yield significantly more robust sounds. Robert Schneider's songs have always harked back to the pop artistry of Brian Wilson and Jeff Lynne, as well as such near contemporaries as Pavement. New Magnetic Wonder offers a more lush sweep of sound. It's varied, dazzling, and full of surprises. There's the keyboard-based pop of "Same Old Drag," the hypnotic muscle of "Sunndal Song" (sung by drummer Hilarie Sidney, who's recently departed to work with her own band), and the sprawling, four-part "Beautiful Machine." Depending on who's listening and what song they're hearing, there are many different ways to describe this band. Ultimately, they gently demand that you take them on their own terms, rewarding handsomely all those who make the glorious plunge. —David Greenberger
Funeral [Vinyl]
ARCADE FIRE
Montreal's Arcade Fire brings a theatricality, an intensity, an insanity, and a penchant for amazing hooks to their debut full-length. You've never heard such energy, beauty, and emotion from such a young band. Fans of Neutral Milk Hotel, Broken Social Scene, and Roxy Music's first two albums will have a new favorite band.
Since I Left You [Vinyl]
The Avalanches
This re-release was praised by the likes of Rolling Stone, Spin, URB, Blender, and more as "...utterly beyond anything heard to date." Playful, twisted, psychedelic, sampledelic, delirious, and infectious, it's the sound of six men who spent most of adolescence rummaging through bargain bins in Melbourne's record shops, constructing their own post-modern disco-pop amalgam from rubbish 50's rejects and saccharine 60's pap. Also available domestically for the first time on 180 gram double vinyl.
Endless Summer
The Beach Boys
Brian Wilson's brilliance manifested itself in the euphoric, cheerfully square, sun-and-fun stuff heard here early on, before it got darker and more complicated. Endless Summer runs from the beginning of the Boys' pinstriped career to 1965, right before the melancholy of Pet Sounds, but also includes the inescapable "Good Vibrations." You can hear a few hints of adolescent sadness and fear—"Help Me, Rhonda" is essentially a kids' sing-along about a wrenching emotional rebound, and the shadow of death is hiding somewhere in "Don't Worry, Baby"—but Wilson is mostly concerned with the cars, waves, and girls that made up the Boys' public image, and his ingenious arrangements (coupled with the group's inimitable harmonies) make everything go down as smoothly as lemonade. —Douglas Wolk
For Emma, Forever Ago [Vinyl]
Bon Iver
Justin Vernon began recording as Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings and, to a certain extent, Bonnie "Prince" Billy. Pronounced 'bohn eevair', it is French for "good winter" which is spelled wrong deliberately. This debut CD is centered around Justin Vernon, who is the primary force behind Bon Iver, as he moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter, alone for three months. From this solitary time emerged a bold, uninhibited new musical focus of all his personal trouble, lack of perspective, heartache, longing, love, loss, and guilt that had been stockpiled over the past six years into songs. The NY Times called this record "irresistible", and it was given a "Recommended" rating by Pitchfork. 9 tracks. Jagjaguwar Records. 2008.
and they call me mad / conan o'brien interview 45 rpm single
CONAN O'BRIEN
Conan O'Brien - Live At Third Man
Conan O'Brien, Legally Prohibitied Band, Jack White
This is the live LP of a truly amazing and one of a kind evening at Third Man Records on June 10, 2010. Conan and The Legally Prohibited Band blazed through an amazing set of rock and roll tunes and hilarity. Features 7 Nation Army and Jack White joining in on Eddie Cochran's 20 Flight Rock.
Face the Music
Electric Light Orchestra
A New World Record
Electric Light Orchestra
Out of the Blue
Electric Light Orchestra
Discovery
Electric Light Orchestra
Fiction Family
Fiction Family
Vinyl LP pressing. 2009 debut for this duo consisting of members of Nickel Creek and Switchfoot. Both artists have achieved immense success with their respective bands. Sean Watkins is the guitar player and founding member of the Grammy Award winning trio Nickel Creek. Jon Forman is the guitarist and lead singer of the Grammy-nominated Rock band Switchfoot, which has sold over five million records worldwide. Both Watkins and Forman, being vocalists and multi-instrumentalists, took turns singing lead and they both played several instruments on each song including guitar, bass, keyboards, percussion, baritone ukulele, piano, organ, mandolin, steel guitar, 12-string guitar and more. Nickel Creek fiddle player Sara Watkins is also featured on several songs. The album was recorded and written in parts over the span of three years with no real deadlines, while still touring with their respective bands.
Bitter Tea
The Fiery Furnaces
Hideout [Vinyl]
FILM SCHOOL
Their second full-length builds on the band's pretty, shoegazer pop and richly textured space rock soundscapes by emphasizing powerful rhythms and beautiful melodies that take the songwriting to a new level. "Hideout" is more like a sonic galaxy that engulfs you from all angles. You're enveloped by layers of reverb, loops, and the interplay of male/female voices. A driving, forceful rhythm section fuels a propulsive energy that gives an urgent quality to much of the album, whereas other tracks convey a wistful melancholy. It's this combination of ethereal atmosphere and strong rhythm that makes the album wholly compelling and promises a powerful live experience. "Wonderfully off-kilter pop songs" - NME.
Pencils In The Wind b/w Albi The Racist Dragon
Flight of the Conchords
You Could Have It So Much Better [Vinyl]
Franz Ferdinand
After more than a year spent on the road behind their breakthrough self-titled debut—just how many times can Alex Kapranos sing "Take Me Out" without getting his skinny tie into a knot, anyway?—you might expect the members of Franz Ferdinand to feel a little frayed around the edges. But if You Could Have It So Much Better was supposed to be a bloated sophomore album focusing on bad airline meals and cold hotel swimming pools, somebody forgot to tell the Mercury Music Prize winning Scottish quartet. Instead, the Franzies return with a disc packed with thrilling punk-pop treatises like the single "Do You Want To," political rabble-rousers such as opener "The Fallen," and lovely psychedelic ballads that explore the common ground between the Beatles and Bowie, like "Eleanor Put You Boots On" (about Eleanor Freidberger of the Fiery Furnaces, no less). It's a stunning, confident piece of work that suggests the band is merely getting started. —Aidin Vaziri
SO THIS IS GOODBYE
JUNIOR BOYS
The Canadian-based duo has emerged with a pop statement that's easily one of the best albums of the year. It's a work that exhibits a confident mix of focus, clarity, and ambition. From the upbeat single, "In The Morning" to the somber triptych that closes the record, which touches such kindred spirits as Sylvian, Ferry, and Sinatra, Junior Boys manage to tease soul and longing out of their machines in a way that few have dared to try.
Oracular Spectacular [Vinyl]
MGMT
MGMT invites you to open your mind to the multi-dimensional vibrating Technicolor sounds of Oracular Spectacular.
For Our Elegant Caste
Of Montreal
The third single from "Skeletal Lamping" has been a highlight of the band's live show. Side-B is a remix by Depressed Buttons (Todd and Jacob of The Faint). Initial pressing limited to 2,000 copies on colored vinyl. Includes digital download code with songs and bonus video.
Pretty Odd [Vinyl]
Panic at the Disco
For Panic At The Disco's sophomore follow-up to their Decaydance/Fueled By Ramen break-through debut 2005's A Fever You Can't Sweat Out, the band holed up in a Las Vegas studio with renowned producer Rob Mathes. What they created is nothing short of a masterpiece, the 60's pop-inspired Pretty Odd. This time around, the band opted for real instruments and live tracking over Pro Tools software, citing influences as The Beach Boys, Bob Dylan, and The Beatles. Says guitarist Ryan Ross in an interview with Billboard, We want to make music [that is] simple and timeless and not too pretentious. The band also did additional tracking at the Abbey Road Studio in London, adding a Beatles-esque flavor to their usual Vegas flare. The song lyrics have moved away from the whole one-liner, sarcastic thing says Ross, in favor of more everyday things. Lead single, "Nine In The Afternoon" has the band showing a healthy dose of maturity, having grown as songwriters and instrumentalists.
Wolfgang Amadeus Phoenix
Phoenix
Special Edition 180 Gram Vinyl with HD Vinyl MP3 Download direct from vinyl master test pressings
Santogold
Santogold
Now available on vinyl. LP comes with free digital download of the entire album.
Song of the Magpie / Where the Wind Blows 7"
Sea Wolf
Girls Can Tell [Vinyl]
Spoon
Their 2001 triumphant full-length debut on Merge. It sees Britt Daniel developing into one of the most unique voices in rock with a stunning maturity and economy to his songwriting. Includes coupon for MP3 download of entire record.
The Sugarhill Gang
Sugarhill Gang
Breakfast in America [Vinyl]
Supertramp
Vinyl reissue. Breakfast in America was the sixth album by the band Supertramp, released in 1979. It was recorded the previous year at the Village Recorder in Los Angeles. The album featured four hit singles: "The Logical Song" (#6), "Goodbye Stranger" (#15), "Take the Long Way Home" (#10), and the title cut (#16). The album's front cover was designed by Mike Doud and depicted Kate Murtagh as a Statue of Liberty figure with the twin World Trade Center towers appearing as two stacks of boxes and the plate of breakfast represents Battery Park, the departure point for the Staten Island Ferry.
Crazy
Violent Femmes
Like a Morricone-style dirge recorded by The Mamas and The Papas, Violent Femmes' cover of Gnarls Barkley's infamous Crazy is like nothing you've heard from the legendary alt-rock trio before. Their oft-imitated folk-punk sound is flavored with surf-rock guitar and Theremin, creating a tranquility that is somber and otherworldly.
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